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Blade is tons of fun, particularly when viewed through the nostalgic lens of 90s action cinema. It's also worth noting that the success of this movie - an R rated vampire flick with an African American lead - gave birth to the comic book movie era. The action, effects, and music are silly and dated, plus the story makes no sense. But Blade is nevertheless still fun.
First released in 1998, Blade brought commercial success back to Super Hero films, after the woeful distribution of films like Batman & Robin and Steel stopped the genre in its tracks.

Starring Wesley Snipes as the eponymous Half-Vampire/Half-Human hybrid come Super Hero/Vampire Hunter, Blade works with Dr. Karen Jensen and Abraham Whistler (Kris Kristofferson) in order to defeat vampires Deacon Frost (Stephen Dorff) and Quinn (Donal Logue) and their host of undead soldiers before they can kill Gitano Dragonetti (Udo Kier) and the other vampire Elders in a ritual that will transform Deacon Frost into La Magra, the vampire Blood God.

With me so far? No? That figures. The script's interesting, but it's not terribly sense-making. What I mean to say, is, the script's rubbish, but the *story* is great. The whole film is really rather story and effects driven, but the characters are pretty lacking. Quinn is sort of fun, and Deacon's... well... he's attractive, but not a lot else. Still, there's more to him than most of the characters, including the titular Blade.

Straight up, just putting out there, I think goth-culture is attractive, so, my aesthetics may go quite a way to influencing my decision in the final score, if you disagree with me, you might want to keep that in mind, seeing as most vampires have at least a little bit of that going on. All that aside though, the opening of Blade is one of the strongest ways a film can start off that I've ever seen. It has basically everything you could want for a modern vampire tale. Including the Blood Rave song, Confusion (Pump Panel Remix) by New Order.

The cinematography was another cool point, lots of ins and outs in a non-nauseating way. Although the fight choreography suffered from a serious case of "Only-One-Guy-Attacks-At- A-Time" Syndrome. Come on guys, this ain't Tekken. When there's an army to fight, fight an army. Maybe not all at once, I know that could get a tad pointless, but it really didn't transfer well in this film.

To end with, there's one plot-hole I'd like to bring up, I don't think I'll be spoiling anything too badly, but if you want to go in completely fresh, stop reading. There's one point when Frost says he needs to kill the 12 Elder vamps in a big underground ritual in order to complete his ascendancy into the Blood God (Khorne?), but he kills the leader earlier, on a beach. Okay, so maybe he wasn't counted, and he was actually number 13. But, Frost's lady-friend Mercury kills another with Blade's sword, before the ritual gets started, and nobody seems to care... I am dubious- faced.

After all that though, Blade is a vampire film that's not slow like Nosferatu, and not indescribably awful like Twilight, so for people with tastes like mine, it's certainly worth a geez.

66%

-Gimly
The Daywalker.

Half human and half vampire, Blade's function in life is to rid the world of vampires, he is driven forward by the notion that his mother was killed by his half brethren.

This is no ordinary vampire film, this is nothing to do with bearing crosses and creatures making music of the night, this is armoured weaponry, dazzling swordplay and a protagonist that is as cool as anything that has leaped off of the comic book page. Wesley Snipes (perfect piece of casting) is Blade, a much troubled superhero (aren't they all?), he has to take a formula suppressant to keep away his inner vampire cravings. Aided by trusty pal, Whistler (Kris Kristofferson), they wage war against all blood suckers and here they must stop the sinister Deacon Frost (Stephen Dorff) from executing his monstrous plan.

There are no cranial pondering's here in this piece, this is a joyously high velocity action horror movie, containing great choreography and retaining its comic book heart. Blade is pure popcorn fodder for the MTV generation, in fact director Stephen Norrington utilises his music video background to great effect as the combat scenes are scored with delightful sledgehammer precision. Blood brains and gore flow freely as the film hurtles towards the head splitting conclusion, loud, dark and tinged with brooding menace, Blade is hugely recommended for a ripper of a night in. 7.5/10